{"id":199,"date":"2009-07-14T12:17:02","date_gmt":"2009-07-14T17:17:02","guid":{"rendered":"http:\/\/agaveweb.com\/regidaporelridiculo\/?p=199"},"modified":"2015-02-18T20:12:01","modified_gmt":"2015-02-19T01:12:01","slug":"recomendaciones-cinematograficas-48","status":"publish","type":"post","link":"https:\/\/agaveweb.com\/regidaporelridiculo\/2009\/07\/14\/recomendaciones-cinematograficas-48\/","title":{"rendered":"recomendaciones cinematogr\u00e1ficas"},"content":{"rendered":"

 \u00a0<\/span><\/span><\/p>\n

A \u00a0continuaci\u00f3n presentamos una recapitulaci\u00f3n de las pel\u00edculas ya propuestas en este espacio. <\/span><\/span><\/p>\n

 \u00a0<\/p>\n

 \u00a0<\/p>\n

Para ver en detalle la recomendaci\u00f3n puedes escribir el nombre de la pel\u00edcula en el cuadro buscador (search) a la derecha abajo de la pantalla. <\/span><\/span><\/p>\n

 \u00a0<\/span><\/span><\/p>\n

 \u00a0<\/span><\/span><\/p>\n

 \u00a0<\/span><\/span><\/p>\n

Blue<\/span><\/strong> Velvet<\/strong><\/span> \u00a0 (David Lynch) 1986

<\/span><\/p>\n

Mauvais Sang<\/span><\/strong> ‘Mala sangre’ (Leos Carax) 1986

<\/span><\/p>\n

Rendez Vous<\/span><\/strong>  \u00a0 \u00a0‘La cita’ (Andr\u00e9 Techin\u00c3\u00a8) 1985<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Beautiful Dreamers <\/span><\/strong>(John Kent Harrison) 1990<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Stranger than <\/span><\/strong>Paradise<\/span><\/strong> <\/span><\/strong>(Jim Jarmusch) 1984<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

37.2 le matin <\/span><\/strong>‘37.2 grados en la ma\u00f1ana’ (Jean Jacques Beineix) 1986<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Los colores del para\u00edso<\/span><\/strong> (Majid Majidi) 1999

<\/span><\/p>\n

Monalisa<\/span><\/strong> <\/span>(Neil Jordan) 1986

<\/span><\/p>\n

La mujer prohibida<\/span><\/strong> <\/span> \u00a0‘La femme defendue’ (Phillipe Harel) 1997<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Y la nave va <\/span><\/strong>(Federico Fellini) 1983<\/span> \u00a0 \u00a0 <\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

El cocinero el ladr\u00f3n su esposa y su amante <\/span><\/strong>(Peter Greenaway) 1989

<\/strong><\/span><\/p>\n

La ciudad de los ni\u00f1os perdidos <\/span><\/strong>(Jean Pierre Jeunet) 1995<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Intimacy<\/span><\/strong> ‘Intimidad’ (Patrice Ch\u00e9rau) 2001<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Biter Moon<\/span><\/strong> \u00a0 ‘Luna Amarga’ (Roman Polanski) 1992 <\/span><\/p>\n

 \u00a0<\/span><\/p>\n

El exilio de Gardel <\/span><\/strong>‘Tangos’ (Fernando Solanas) 1985<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

El Lado Oscuro del Coraz\u00f3n <\/span><\/strong>(Eliseo Subiela) 1992<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Barry Lyndon <\/span><\/strong>(<\/span>Stanley<\/span> Kubrick) 1975 <\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Eyes Wide Shut <\/span><\/strong>‘Ojos bien cerrados’ (Stanley Kubrick) 1999<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Ex\u00f3tica<\/span><\/strong> (Atom Egoyan) 1994<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Lost in Translation <\/span><\/strong>(Sofia Coppola )2003<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

S\u00f3lo con tu pareja <\/span><\/strong>(Alfonso Cuar\u00f3n) 1991<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

A Little Princess <\/span><\/strong>(Alfonso Cuar\u00f3n) 1995<\/span><\/p>\n

<\/strong><\/p>\n

 \u00a0<\/span><\/strong> \u00a0 \u00a0 \u00a0 \u00a0 <\/span><\/span><\/strong><\/p>\n

El Lugar sin l\u00edmites <\/span><\/strong>(Arturo Ripstein) 1979<\/strong><\/span><\/p>\n

 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span><\/span><\/strong><\/p>\n

Cr\u00f3nica de familia <\/span><\/strong>(Diego L\u00f3pez) 1986<\/strong><\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Ultimo tango en Par\u00eds <\/span><\/strong>(Bernardo Bertolucci) 1972<\/strong><\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Dial M for murder <\/span><\/strong>(Alfred Hitchcock) 1954<\/strong><\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Rope <\/span><\/strong>(Alfred Hitchcock) 1948<\/strong><\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

\u00c3\u2030rase una vez en Am\u00e9rica <\/span><\/strong>(Sergio Leone) 1984<\/strong><\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Drama\/Mex <\/span><\/strong>(Gerardo Naranjo) 2006<\/strong><\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Rumble Fish <\/span><\/strong>(Francis Ford Coppola) 1983<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Wild Heart <\/span><\/strong>(David Lynch) 1990<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Hiroshima<\/span><\/strong> mon amour ‘<\/span><\/strong>Hiroshima<\/span><\/strong> mi amor’ \u00a0 <\/span><\/span><\/strong>(Alain Resnais)1959 <\/strong><\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

De Poolse bruid, <\/span><\/strong>‘The Polish Bride’ \u00a0 <\/span>(Karim Tra\u00c3\u00afdia) 1998<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Cronos <\/span><\/strong>(Guillermo del Toro) 1993<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

El Laberinto del fauno <\/span><\/strong>(Guillermo del Toro) 2006<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Sex, lies and videotape <\/span><\/strong>‘sexo, mentiras y video’ (Steven Soderbergh) 1989<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Magnolia <\/span><\/strong>(Paul Thomas Anderson) 1999<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

After Hours <\/span><\/strong>‘despu\u00e9s de horas’ (Martin Scorsese) 1985<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Good Fellas <\/span><\/strong>‘Buenos Muchachos’ (Martin Scorsese) 1990<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

The French Connection <\/span><\/strong>(William Friedkin) 1971<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

The Usual Suspects <\/span><\/strong>‘Sospechosos Comunes’ (Bryan Singer) 1995<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

M.A.S.H.<\/span><\/strong> (Robert Altman) 1970<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Vincent y Theo <\/span><\/strong>(Robert Altman) 1990<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Godsford<\/span><\/strong> <\/span><\/strong>Park<\/span><\/strong> <\/span><\/strong>(Robert Altman) 2001<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

P\u00e1rpados Azules<\/span><\/strong>, M\u00e9xico, 2006.<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Jap\u00f3n <\/span><\/strong>(Carlos Reygadas) <\/strong><\/span>2002<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Batalla en el Cielo <\/span><\/strong>(Carlos Reygadas) <\/strong><\/span>2005<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

The Warriors<\/span><\/strong> <\/span><\/strong>(Walter Hill) 1979<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Streets of Fire <\/span><\/strong>(Walter Hill) 1984<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Los amantes del Puente Nuevo <\/span><\/strong>(Leos Carax) 1991<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Corre, Lola, corre <\/span><\/strong>( Tom Tykwer) 1998<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Wonder Boys <\/span><\/strong>(Curtis Hanson) 2000<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Saving Grace <\/span><\/strong>(Nigel Cole) 2000<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Alien <\/span><\/strong>(Ridley Scott) 1979<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Blade Runner<\/span><\/strong> (Ridley Scott) 1982<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

\u00c3\u2030rase una vez un pa\u00eds ‘Underground’ <\/span><\/strong>(Emir Kusturica) 1995<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Pink Floyd The Wall <\/span><\/strong>(Alan Parker) 1982<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Birdy<\/span><\/strong> (Alan Parker) 1984<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Old Boy <\/span><\/strong>(<\/span>Chan<\/span> <\/span>Wook<\/span> <\/span>Park<\/span>) 2003<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Inland Empire<\/span><\/strong> <\/span><\/strong>‘Imperio’ (David Lynch) 2006<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

El viol\u00edn <\/span><\/strong>(Francisco Vargas) 2005<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

The Game <\/strong>(David Fincher) 1995<\/span><\/strong><\/strong><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Le Locataire<\/span><\/strong>, ‘The Tenant’, ‘El inquilino’ (Roman Polanski) 1976<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Fanny y Alexander <\/span><\/strong>(Ingmar Bergman) 1982<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Zabriskie Point <\/span><\/strong>( Michelangelo Antonioni) 1970<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Luc\u00eda y el sexo <\/span><\/strong>(Julio Medem) 2001<\/strong><\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

Das Leben der Anderen<\/span><\/strong>, \u00a0 <\/span>La vida de los otros \u00a0 <\/span>The Lives of Others (2006)<\/span><\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Bird<\/span><\/strong> (Clint Eastwood) 1988<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Unforgiven <\/span><\/strong>(Clint Eastwood) 1992<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Mystic<\/span><\/strong> <\/span><\/strong>River<\/span><\/strong> (Clint Eastwood) 2003<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

American Beauty<\/span><\/strong> (Clint Eastwood) 1999<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

El Rey pasmado<\/span><\/strong>, \u00a0 <\/span>(Emanol Uribe) 1991<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

El D\u00eda de la bestia<\/span><\/strong>, \u00a0 <\/span>(Alex de la Iglesia)1999<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

The Game<\/span><\/strong> (David Fincher) 1997 \u00a0 \u00a0 <\/span><\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Barton Fink<\/span><\/strong> (Ethan Cohen) 1991<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

The Big Lebowski<\/span><\/strong> (Ethan Cohen)1998<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

No Country for Old Men<\/span><\/strong> (Ethan Cohen) 2007<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Stranger Than Fiction<\/span><\/strong> ‘M\u00e1s extra\u00f1o que la ficci\u00f3n’ (Marc Foster) 2006<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span>Finding Neverland<\/strong> (Marc Forster) 2004<\/span><\/p>\n

 \u00a0<\/span><\/strong><\/p>\n

The Reader<\/span><\/strong>, ‘El lector’ (Stephen Daldry) 2008<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Die Welle<\/span><\/strong>, \u00a0 <\/span>‘La Ola’ (Dennis Gansel) 2008<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Code 46 ‘<\/span><\/strong>C\u00f3digo 46′ (Michael Winterbottom) (2003)<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Children of Men<\/span><\/strong> ‘Los ni\u00f1os del hombre’ (Alfonso Cuar\u00f3n) 2006<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

13 Tzameti<\/span><\/strong> \u00a0 <\/span>(Gela Babluani) 2005<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Reservoir Dogs<\/span><\/strong> ‘Perros de Reserva’ (Quentin Tarantino) 1992<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Pulp Fiction<\/span><\/strong> (Quentin Tarantino)1994<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Diarios de motocicleta<\/span><\/strong> (Walter Salles) (2004)<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

Iluminados por el fuego<\/span><\/strong> (Trist\u00e1n Bauer) (2005)<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

 \u00a0<\/span><\/p>\n

 \u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

 \u00a0 A \u00a0continuaci\u00f3n presentamos una recapitulaci\u00f3n de las pel\u00edculas ya propuestas en este espacio.  \u00a0  \u00a0 Para ver en detalle la recomendaci\u00f3n puedes escribir el nombre de la pel\u00edcula en el cuadro buscador (search) a la derecha abajo de la pantalla.  \u00a0  \u00a0  \u00a0 Blue Velvet \u00a0 (David Lynch) 1986 Mauvais Sang ‘Mala sangre’ (Leos Carax) 1986 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1,5],"tags":[],"class_list":["post-199","post","type-post","status-publish","format-standard","hentry","category-uncategorized","category-recomendaciones-cinematograficas"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2b5eR-3d","_links":{"self":[{"href":"https:\/\/agaveweb.com\/regidaporelridiculo\/wp-json\/wp\/v2\/posts\/199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/agaveweb.com\/regidaporelridiculo\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agaveweb.com\/regidaporelridiculo\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agaveweb.com\/regidaporelridiculo\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/agaveweb.com\/regidaporelridiculo\/wp-json\/wp\/v2\/comments?post=199"}],"version-history":[{"count":7,"href":"https:\/\/agaveweb.com\/regidaporelridiculo\/wp-json\/wp\/v2\/posts\/199\/revisions"}],"predecessor-version":[{"id":267,"href":"https:\/\/agaveweb.com\/regidaporelridiculo\/wp-json\/wp\/v2\/posts\/199\/revisions\/267"}],"wp:attachment":[{"href":"https:\/\/agaveweb.com\/regidaporelridiculo\/wp-json\/wp\/v2\/media?parent=199"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agaveweb.com\/regidaporelridiculo\/wp-json\/wp\/v2\/categories?post=199"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agaveweb.com\/regidaporelridiculo\/wp-json\/wp\/v2\/tags?post=199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}